There are of course exceptions to these general design categories.
Persian rug design elements.
Design elements may also be arranged more elaborately.
And as in the field the main design elements may be surrounded by additional space fillers to complicate the persian rug design pattern.
By learning the meanings of persian rug patterns you will be able to read a rug and understand what the weaver tells us the names of persian rug patterns are derived from the city village or tribe where particular patterns were first woven or traded.
Some of the most commonly used for persian designs are the all over medallion and one sided layouts.
Birjand rugs represent some of the finest quality persian rugs made in iran and feature super fine details attributed to their intricately woven patterns.
Design elements may also be arranged more elaborately.
However in order to make it work you should probably stick to at least a few general rules.
Geometry in persian rugs.
The most significant of these is the so called prayer format.
Oriental rugs can truly be considered works of art.
There was a time when the design of an oriental rug told with some degree of certainty the country and city village or district where it was woven.
This means that even if your style is modern contemporary swedish modern minimalist or industrial you can still add that charming antique rug to give a bit of character to the space when used in this way antique oriental rugs can add a sense of the unexpected and excitement to the decor.
Almost all of these have a number of elements in common including the field a border or multiple borders and some form of medallion or pattern.
Oriental rug design elements.
The more intricate the design the more valuable the rug.
One typical oriental rug design uses a medallion a symmetrical pattern occupying the center of the field.
One typical oriental rug design uses a medallion a symmetrical pattern occupying the center of the field.
Parts of the medallion or similar corresponding designs are repeated at the four corners of the field.
The wider dissemination of designs following greater commercial expansion at the beginning of the 20th century means this is less true today.
Borchelou rug often classified as a hamedan borchelou rugs usually feature center medallions surrounded by an all over design set in a field of red or ivory.
Tribal design antique persian kilim rug.
Oriental rug design elements are a fascinating part of the appeal of these rugs.
Persian rugs and rugs in general have a limited number of layouts.
Parts of the medallion or similar corresponding designs are repeated at the four corners of the field.
It is the variety of design elements used to weave a rug that helps determine its value as well as its appeal to an individual buyer.